Lecture

Megan McNamee: Light and Labour in Late Medieval Concertina-Fold Almanacs

19 February 2025
17:30
Free to all

A lecture in relation to 'Unfolding Time: The Medieval Pocket Calendar' exhibition.

Light and labour were linked by custom and law in the Middle Ages, when, for example, statutes dictated that agricultural workers were to leave their tasks while there was sufficient light to make their way home. We see the connection in medieval calendars. The average hours of daylight and darkness for each month were often recorded on pages along with lively images of seasonal activities, known as the Labours of the Months. Both elements take pride of place in late medieval concertina-fold almanacs—tiny, mass-produced books, made to be worn on the body.

Within their folds, one encounters brightly painted pictures of people busily turning earth, trimming vines, sowing, slaughtering, baking and so on. Beside them are circular diagrams depicting the hours of daylight and darkness. Whereas the Labours were a standard feature of calendars, the diagrams are uncommon; and the tight juxtaposition of the two, near unique. This paper considers what this unusual pairing tells us about the experience of time and work—manual and devotional—in late medieval Europe.

This event is also available to watch online. Please book a separate ticket if you wish to join us online instead of in person for this lecture: https://events.teams.microsoft.com/event/7360fa81-385b-4726-86ff-41d53dbb9823@95e2463b-3ab0-47b4-9ac1-587c77ee84f0

Please note that tickets must be booked individually for security purposes.

All are welcome, but those wishing to attend should book a free ticket at https://www.eventbrite.co.uk/e/megan-mcnamee-light-and-labour-in-late-medieval-concertina-fold-almanacs-tickets-1216583196089?aff=oddtdtcreator or email archives@churchofengland.org, phone 020 7898 1400 no later than Tuesday 18 February.

This listing is supplied by one of our museum partners and is not moderated by Art Fund.

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