They depict a joyless East-End Jewish theatre audience, whose drab clothes and mask-like faces express not only their disenchantment, but BombergÂ’s own dismal, post-war vision. Sappers under Hill 60 is part of a series of works relating to BombergÂ’s commissioned work for the Canadian War Records Office. The drawings show British sappers at work building tunnels and trenches which eventually resulted in the successful mine attack on a German observation post at St Eloi in March 1916. All three drawings show the artist moving away from the fractured, mechanised style of his pre-war modernist work, towards a more human response.

Provenance

1-2) Gillian and Jason Gallery, London; private collection, 1987. 3) Boundary Gallery, London; private collection, 1987. These works have been vetted by the Art Loss Register.