Its angular and facetted construction stems from his allegiance to Cubism and Vorticism (of which he was a founder) and its spare linearity the influence of Matisse, Léger and Modigliani. The sitter is notable for the intensity of her gaze, flamboyant turban and sinuously clasped hands.
Provenance
Reid Gallery,1960; Agnew's, 1960; Benjamin Sonnenberg; Christie's, New York', 2006; Agnew's.