La Bouche Du Roi is a multi-media installation detailing the lives of motorcyclists who run petrol between Benin and Nigeria, a form of modern day slavery.
The shape of the installation is based on a famous 18th-century print of the British slave ship, the Brookes, a model of which Wilberforce used in his campaign for abolition. The artist uses cans to suggest the bodies of slaves portrayed in the print.
More information
Title of artwork, date
La Bouche Du Roi, 1997
Date supported
2006
Medium and material
Oil drums, plastic, glass, shells, tobacco, fabrics, mirrors, metal
Dimensions
10 x 2.9 m
Grant
30000
Total cost
100000
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