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Gear served as curator to the Towner Art Gallery from 1958-64 and this painting is from the artist's period in Paris (1947-50), as evidenced from the French date inscribed on the reverse. The use of bold colours contained within irregular black lines is characteristic of this period when Gear was at the forefront of abstraction in Europe, creating angular almost dirty compositions that contributed significantly to Cobra's expressionist re-invention of modernism following the wholescale destruction of world war.
More information
Title of artwork, date
Composition, Blue Centre, 1949
Date supported
2003
Medium and material
Oil on canvas
Dimensions
47 x 62 cm
Grant
1882
Total cost
3840
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