It was produced by Hollis's friend, Joseph Wilton, an artist considered amongst the finest of his generation and sculptor to George III. The portrait bust is unadorned and somewhat unusual in that it represents the sitter unwigged with a naked torso. This austere simplicity perfectly complements the exceptional naturalism of WiltonÂ’s carving, whilst the remarkably sensitive and life-like characterisation of HollisÂ’s expression which, with its half-smile, gives this bust a surprising intimacy and invites the viewer to understand the sitter as a complex and dynamic character. To reinforce HollisÂ’s political standing and to represent his commitment to the principles of Roman democracy, Wilton presents him in the guise of Brutus with liberty cap and daggers carved on the socle. Hollis admired the figure of Brutus for his opposition to tyranny and it is possible that the design of the bust was the product of close discussion between artist and sitter. This work was acquired with assistance from the Wolfson Foundation.

Provenance

Thomas Hollis, by descent to; Thomas Brand; Rev. Dr John Disney, 1804; by descent until 1949; Private Collection, 1950; David Hicks, 1954; sold, David and the Lady Pamela Hicks, 1979; Cyril Humphris, 1979; Private Collection, 2003